曼雷展金句 (5-4)

"In spite of my resolution not to get involved again, I had at this time made the acquaintance of a beautiful young mulatto dancer, Adrienne, from the French colony of Guadeloupe. We were in love, and were received by the others in the south with open arms." -Man Ray, Self-Portrait

“我为侯爵夫人（卡萨提）拍摄的照片传遍了整个巴黎；来自上层名流圈的人们纷纷找我为他们拍照，都期待着我能够在此创造奇迹。” ——曼·雷

"The picture of the Marquise went all over Paris; sitters began coming in — people from the more exclusive circles, all expecting miracles from me." - Man Ray

“吉吉在屏风后宽衣，她走了出来，将她的手端庄地放在身前，就如安格尔的绘画《泉》中的女子一般。她的形体能够激发任何一位学院派画家的灵感。” ——曼·雷《自画像》

"Kiki undressed behind a screen... and came out, modestly holding her hand in front of her, exactly like Ingres's painting of La Source. Her body would have inspired any academic painter." - Man Ray, Self-Portrait

“达达主义是一种精神状态。”——曼·雷

"Dada is a state of mind." - Man Ray

“我喜欢什么就做什么艺术，我自由了。我来到法国是因为这里是摄影的发源地。我爱巴黎：它是最友好的城市，在那里你有最完整的自由。”——曼·雷

"I work on what I like, I’m free. I came to France because it is the birthplace of photography. And I love Paris: it is the friendliest city one where you have the most complete sense of freedom." - Man Ray

“我认为绘画是人类成就的极致，即使现在我也这么认为。至少，我觉得不管艺术家的作品如何，他们都是高贵神圣的存在。”——曼·雷

"I considered the painting of a picture the acme of human accomplishment; even today, the conviction still persists. At least I consider all artists as privileged and sacred beings, whatever they produce." - Man Ray

“一切都可以被光线转化、变形、湮灭。” —— 曼·雷

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