—— (5-1)

一个画家需要观众。

A painter needs an audience. 毕加索给我的印象是，一个对自己和世界上所发生的事都了如指掌，对所有的遭遇和冲突都反应强烈，却唯能通过一个渠道，即绘画，来表达自己情感的人。

Picasso gave me the impression of a man who was aware of all that was going on about him and in the world in general, a man who reacted violently to all impacts, but had only one outlet to express his feelings: painting. 有一天，他（阿尔贝托·贾科梅蒂）向我介绍了梅拉·奥本海姆。这位美丽的年轻女孩的家人从德国逃到了贾科梅蒂的故乡瑞士。每当她有机会来巴黎时，她总会和超现实主义者们坐在一起讨论。她用她的皮毛杯子、碟子和勺子引起了轰动。梅雷特是我见过的最不羁的女人之一。

One day, he (Alberto Giacometti) introduced me to Meret Oppenheim, a beautiful young girl whose family had escaped from Germany to Switzerland, the country of Giacometti's origin. Whenever she could get to Paris, it was to sit with the Surrealists. She created a sensation with her fur-lined cup, saucer and spoon. Meret was one of the most uninhibited women I have ever met.其中一张照片出现了三双眼睛。它作为美杜莎的超现实主义版本的呈现倒是不错。她被这张照片迷住了——说我拍摄出了她的灵魂，并订购了数十张。

...one with three pairs of eyes. It might have passed for a Surrealist version of the Medusa. She was enchanted with this one — said I had portrayed her soul, and ordered dozens of prints. 她即使在睡梦中，也在微笑。

Even when she sleeps, she smiles.

蒙特贝罗曾用一句话来表达曼·雷对他的影响：“他教会我事物的简单性。”

Montebello has used a single sentence to describe the artist’s importance to him: “Il m’apprend la simplicité des choses (He teaches me the simplicity of things).”那晚我回到家，思绪恍惚， 艺术和爱情向我展现出巨大的可能性。

I went home that night with my head in a whirl, immense possibilities opened before me both in art and in love. 绘画通过眼睛听从内心，摄影经由眼睛跟随思想。而对于一个人的渴望与爱，则支配着绘画和摄影这两种媒介。

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