参考文献:
注释:
1 Friedrich Nietzsche, Werke: Kritische Gesamtausgabe , ed. Giorgio Colli and Mazzino Montinari (Berlin: Walter de Gruyter, 1969 ), iii, iii, p. 207.
2 Friedrich Nietzsche, The Anti-Christ, Ecce Homo, Twilight of the Idols, and Other Writings , eds. Aaron Ridley and Judith Norman, trans. Judith Norman (New York: Cambridge University Press, 2005 ), p. 171.
3 Ibid.
4 For a brief account of the concept of the simulacrum in twenti-eth-century French thought, see Daniel W. Smith , “The Concept of the Simulacrum: Deleuze and the Overturning of Platonism,” Continental Philosophy Review 38 ( 2006 ): 89–90. Whilst the concept of the simulacrum is not Bergsonian, I would be tempted to include Bergson ’s thought in a discussion of its impact and use in twenti-eth-century French philosophy. Henri Bergson, Matter and Memory , trans. Nancy Margaret Paul and W. Scott Palmer (Mineola, NY: Dover Publications, 2004 ), begins with the claim that the world as a whole consists of “images, in the vaguest sense of the word” (p. 1), yet in a sense that does not presuppose an original, of which they would be the copy.
5 Smith, “The Concept of the Simulacrum,” p. 93.
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